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Tziaitzomanasou
12:24
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Commercial Mouth
12:56
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supported by 6 fans who also own “Commercial Mouth”
A genius of our time, and a giant in the history of "academic" experimental music.
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supported by 5 fans who also own “Commercial Mouth”
There's a harshness to some of the sounds here that borders of brutal, but they still cohere into tracks that are bold, thoughtful and fully realised. I love the glitch and crunch; the percussive drag, and the sense of corrupted space that hangs between each beat. This isn't easy listening, but it is seriously compelling and equally rewarding. The most deceptive thing about it it is musicality. There are no conventional melodies, but the musicality is there. Very rewarding listening.
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Everywhere at the end of time
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Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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Inner Circuitry
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The L.A. producer buttresses euphoric, digitized soprano vocal melodies with stuttering house beats and militant drum loops.
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The Portuguese producer throws down for his native Lisbon across a guest-filled set assembled from three days' of improvised collaborations.
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Eye To The Ear
by Cosmo Sheldrake
The producer uses field recordings, samples, live instrumentation, and digital soundscapes to create songs with environmental themes.
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Miseri Lares
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supported by 5 fans who also own “Commercial Mouth”
The sounds of pure, personal hell. As if David Lynch endeavored to design the sound for an Hieronymus Bosch landscape of brittled black crag and labyrinthed oubliettes of the damned.
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